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Renner injects likability and vulnerability to this character and because of it, we want him to succeed in beating the bad guy and save the girl but Renner is working with a script that goes against itself and we are left with a half fast story that deals with supermen than a human story about survival. Synopsis An expansion of the universe from Robert Ludlum's novels, centered on a new hero whose stakes have been triggered by the events of the previous three films. The movie does have some pretty decent action sequences with great effects, but lacks the storyline, motivation, drive and intimacy to justify them. They try to take out Aaron Cross who is part of another op called Outcome, but he manages to survive. This is once again more of a critique of the script than of Edward Norton as an actor, since we know from for example American History X and Fight Club that Edward Norton can really act. Later the men behind Outcome learn that Cross and Shearing are still alive. And then the air goes out of the balloon with a poof. The science fiction angle that comes up is insulting to what the last three films were, not to mention the fact that the direction here lacks the kinetic energy that Paul Greengrass brought to the last two movies of the series.

Synopsis An expansion of the universe from Robert Ludlum's novels, centered on a new hero whose stakes have been triggered by the events of the previous three films. An expansion of the universe from Robert Ludlum's novels, centered on a new hero whose stakes have been triggered by the events of the previous three films. I wish Greengrass directed this film, because to me it felt like a mess. Had a good idea with a solid backing, but it failed to take advantage of it. The storytelling felt disjointed, and the action sequences had way too much camera shake to enjoy them the first trilogy wasn't so bad. Other than Manila, and the solitude of Alaska, location is one trademark of the legacy that just wasn't there. In the first three films, the assassins didn't need to speak to have personality and character - this film's assassin was just a ghost in your memory. Even though not directly stated, I think most people would understand by watching this film what MAY have actually happened to Jason Bourne. The only way this film will have any more meaning is if they continue the new trilogy. Questionable follow up to the Bourne trilogy that has the right pieces in place but lacks the conviction to justify its existence. In order for me to tell you what is good about this movie, I have to explain what is wrong with it and that is the fact that you get the feeling fifteen minutes into the film that there is no reason for it to exist. The last film Bourne Ultimatum pretty much closed the book on the series, with little to no wiggle room for an encore. This movie feels like a studio trying to milk dried what was good from the original trilogy in order to make more sequels. The bad part is that they did it in the most unbelievable way, so much so that you really need to forget what you saw in the last three films in order to believe what was going on in this movie. Tony Gilroy Who wrote the first three movies directs and writes this one but falls flat on his face with halfhearted explanations that try to justify this movie's existence. Not to mention the fact that the villain of the movie is a lightweight compared to what came before him plus the glaring fact that Edward Norton's performance as the heavy is pretty much phoned in. He does not have the confidant arrogant swagger that Chris Cooper's character had in the first film nor the desperate menace of that Brain Cox's character brought to the second. Norton's character is more in line with the villain of the third, who was played by David Strathaim who has a cameo in this film. However, Strathaim's character had a sense of justifiable menace that drove him, while Norton's character just seems like a man trying to justify his actions for the greater good, making him more of a government shill than a villain. The science fiction angle that comes up is insulting to what the last three films were, not to mention the fact that the direction here lacks the kinetic energy that Paul Greengrass brought to the last two movies of the series. Say what you may about the shaky camera work but he knew how to stage a thrilling action piece of pop art. Gilroy's motorcycle chase towards the climax is decent but lacks kinetic spark. He is however very good in staging small intimate moments within this movie but that is more a compliment to the A + cast Mainly his two lead actors than the terrible script that they are forced to working with. Jeremy Renner is a talented actor with serious range and complexity. However, the character he plays is not much of a character and the script that he has to work with is riddled with clich? He can do anything a secret agent can do but better but the character is not very compelling or interesting to say the least. Jason Bourne was a compelling character that needed to find himself and through that journey in the original trilogy, we saw complexities that were compelling and thoughtful. He was a conflicted man whose drive was dictated by an inner sense of redemption. The character of Aaron Cross is a cartoon character compared to Jason and that is the main problem of the script for this movie. It is though Renner's efforts as an actor that we care about the character of Aaron Cross and that is one of the few bright spots this film has. Renner injects likability and vulnerability to this character and because of it, we want him to succeed in beating the bad guy and save the girl but Renner is working with a script that goes against itself and we are left with a half fast story that deals with supermen than a human story about survival. It is through Renner's efforts as an actor that we see humanity and conflict in this character while the script itself does not give that sort of detail and Renner is working overtime to accomplish that. Renner would have done wonders with a compelling character like Jason Bourne, unfortunately that is not found with the character of Aaron Cross. Rachel Weisz is one of the most versatile, gifted and complex actors working today. An actor's actor in every sense of word but like Renner, she does not have much of a character thanks to the clich? Her character is on the run with Cross through out the film and acts as his doctor and object of protection. It is through Weisz's amazing strength and range as an actor that we are able to witness levels of complexity and humanity in the character of Dr Marta Shearing that we really do not get from the script. Because of that, we are not only able to care and identify with her but Weisz actually makes her character more complex and interesting than Aaron Cross himself. You can tell that Weisz was working overtime in achieving that and her efforts pay off ten fold, which is a blessing considering that most of the characters outside of her and Renner come across as cardboard cutouts. It is a shame because Renner and Weisz try their best and for the most part succeed despite all odds but they like the fans deserved better. The Bourne Legacy is the fourth installment of the Bourne franchise and evolves around a new main protagonist, Aaron Cross. The story runs parallel with the end of the third Bourne movie, and concerns itself with the result of Jason Bourne's exposure of the Blackbriar program. Outcome is an affiliate of Blackbriar and Treadstone, with one significant difference however. Their agents are chemically enhanced to be quicker, stronger and smarter, by ingesting a set of pills. This is where we meet Aaron Cross. Being hunted by his own agency, while trying to get the pills he so desperately need. What makes this movie watchable is NOTHING but the performance of the lead actors, Jeremy Renner and Rachel Weisz. Both talented actors with great depth and experience. It is obvious that they are struggling to tap into the emotional vein of their characters, and the script taken into consideration, it is not strange. Despite this, Renner and Weisz manage to pull it off beautifully. This is no doubt due to the undeniable chemistry between the two. Weisz's sensitive and innocent character fits together beautifully with Renner's stoic, cold, and very charming character. Weisz in particular brings some much needed sensitivity to the movie, which otherwise would have been pretty boring to watch. She becomes Cross's object of protection, and it is because of her we even care about his attempt to find safety from his assailants. Without her, this would have been a movie about a man trying to find medicine. In short I have nothing but respect for these two people, and they do a wonderful job despite what would have otherwise been an insult to the series and the genre in general. This makes him annoying and superficial when he's on, and you can't help but get the feeling that he shouldn't be there. Compared to Chris Cooper's mysterious and secretive character as Conklin, the head of Treadstone from The Bourne Identity, Norton seems even more spineless and unnecessary. This is once again more of a critique of the script than of Edward Norton as an actor, since we know from for example American History X and Fight Club that Edward Norton can really act. This is the kind of movie, where they show every single action sequence in the trailer. As you start watching the movie, you're wondering when it's ACTUALLY gonna start, and when it does start you're wondering what it's actually about. It's very hard to keep track of, and it seems to want to be two things at the same time. It is impossible to watch it without forgetting what you saw in the last three films, because it is so far from the original ones. Paul Greengrass managed to be innovative without compromising the dark, mysterious, kind-of-charming feel of the first movie. For whatever reason, Tony Gilroy has not. At the same time it is impossible to understand the plot without keeping track of what happened in the original ones. The movie does have some pretty decent action sequences with great effects, but lacks the storyline, motivation, drive and intimacy to justify them. Towards the end of the two and a half hour ordeal that this movie really is, you find yourself not really caring anymore and just want it to end decently. And then the air goes out of the balloon with a poof. Out of nowhere the movie ends, with no conclusion, no explanation and no reason whatsoever for it to exist. You're left with a lot more questions than answers, and feel unsatisfied with what you've just seen. Perhaps it was due to my high expectations that I couldn't enjoy this movie as much as I wanted, but I feel like i've seen enough to know what makes a great movie and distinguish between a good and a bad scripts. It's a real shame, because Jeremy Renner, Rachel Weisz and Edward Norton are three of my favorite actors and I think they could have worked miracles with the right script. In short, I have nothing but respect for the actors but don't feel like this is worthy of being called a Bourne movie.

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